A few words about my writing:
Why
romance? And what is that, anyway?
Remember reading under the covers with a flashlight when you were a child, simply
because you couldn't wait to find out what happened next? Those books were almost always
stories driven primarily by imagination, tales of self-discovery through adventure, where justice triumphs over all odds.
When the adventure is for adults
and true love is the reward, that, simply put, is romance!
Thus the most important ingredients in my stories are
always a to-die-for hero and his passionate romance with an interesting
heroine. Yet my novels are never simplistic.
My writing is often described with words like
intelligent, passionate, sexy,
and
sophisticated, but
it's also rich in humor and intrigue. I like to involve
my characters in situations of real danger and high emotional stakes, where they're forced
to grow and change. (So, though I promise to keep you turning the pages, you wont
find an extremely light read to skim through in an hour.)
My books also tend to echo some of the myth and history that I absorbed in my
childhood in England. I love languagejust the rhythm and sweep of itand
stories where love triumphs over adversity, and good wins the day.
Above all, my goal as a romance writer is to have glorious funyet also to
create a novel with enough depth to be worth reading over and over again. It's the
hardest work I've ever done in my life, but when you tell me that I've moved, pleased,
thrilled, or entertained you, it's all worthwhile.
My first six books are not-quite-traditional Regency
romances, known as "The Rewards" and written as Jean R. Ewing. They are
shorter than my later historical romances and have a different style,
taking you into the story more gently, perhaps. They're also more
discreet about what happens in the bedroom, though they're still full of
adventure, passion, and intrigue.
My next eight novels are longer, more complex, sexy
historical romances set in either the Regency, or
the flamboyant world of Georgian England in the 1760's.
Berkley/Jove was so excited by my first long Regency-set historical
romance, Illusion, thatin
an unprecedented move for themthey
released it as a lead title.
Illusion was followed by a
sequel, Flowers under Ice (a double
award-winner), then
My Dark Prince, my first book written as Julia Ross. Beginning with The Seduction, Berkley released my
next five novels as gorgeous trade paperbacks, each later reissued in
mass-market size.
After Clandestine, my
eighth historical romance, my editor at Berkley asked me to write a
different kind of novel, one about a real English queen. At first, the
opportunity to try something new was exciting. My editor, agent, and I
spent some fun hours tossing around ideas.
Yet my muse refused to share in all the excitement. Whenever I tried to work
one of these "great ideas" into a new novel she wouldn't cooperate, as if
she were secretly entertaining thoughts of rebellion. I started to feel a bit panicky. This had never happened to me before. Instead of the
joy and pleasure I'd always found in writing, I began to dread sitting down at the
keyboard.
Meanwhile, my editor was looking forward to my next proposal. My agent was ready to
negotiate my next contract. My readers were writing to tell me how much they'd loved
Clandestine
and how they couldn't wait to see what was coming nextand I had nothing! If I didn't come up with a good idea soon, I was going to let down a lot of people, and
I especially couldn't bear the thought of disappointing my fans.
So then I began to feel very guilty, as well. I'd invested over twelve years of my life in my writing career and never been without a
contract. I'd published fourteen novels and two novellas without taking a
break. Because I'd sold the first traditional Regency I'd ever written, I had no backlog
of unpublished manuscripts to draw from when the pressure was on.
Yet each new idea had seemed to come magically from nowhereuntil now!
I don't mean that writing a novel wasn't always hard work. Of course it
was. Nevertheless, I've always been an essentially intuitive writer. Each story was
sparked by some burning idea that announced itself with a lot of power and insistence, and
now there simply wasn't one.
The more I tried to force it, the less it worked, until in the end I hit a wall of
creative exhaustion. I didn't have much choice except to quit writing to
give my muse a chance to recover her enthusiasm. Unfortunately, publishers must work with absolute deadlines. Production schedules are
locked in sometimes more than a year in advance. And I still had a living to
make. So I plunged into other projectsand somehow many years rolled
by.
Yet
I hope you won't forget me. I'm proud of every
book I've written, and I'm still finding new
readers. I value each and every one of you, just as I'm truly grateful to all of my loyal
fans.
Though I have no idea what or when it will beand
I never talk about work in progressone day I'm sure
I'll write another novel. In the meantime, there's been a revolution in
publishing. So I'm thrilled to be able to begin making my books available as
E-books, starting with Scandal's Reward. (I secretly hope, of
course, that revisiting my novels as I do this will inspire me to write
again.)
Meanwhile I was touched to the heart when one of my fans
learned what was happening and e-mailed me:
"Enjoy your break -- you deserve it! I think you put a
lot into your books, much more than others! PLEASE write Historical
Romance after your break -- same time period please, maybe bring in some
Russian? I can see the prince on his large white horse with his Russian
Wolfhounds running at his side..."
And who knows? Maybe I will!
Thank you, readers!
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